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YRF is often credited for breaking away from the small business model that was historically used by the Indian film industry and introducing a rigid hub and spoke model by establishing distribution networks across the globe.
Chopra has also tried to break away from typecast and forayed into production of off-beat films with unique subjects in projects like Kabul Express (2006), Chak De India (2007), Rocket Singh (2009), Aurangzeb (2013), Mardaani (2014), Titli (2014) (Chopra's entry into nu-Experimental Cinema), Detective Byomkesh Bakshi (2014) and Paani (2015) (Chopra's entry into Mainstream Hollywood), that do not necessarily fit into the realms of Masala films.Rani was just one film old and Aditya, who was already famous for being the director of Rani and Aditya made a decision to stay away from the media because they wanted to explore their relationship. He is not a negative soul and will never harm anybody.They did not want to announce anything to the media until they knew that they were meant to be together. I always prayed to fall in love with a man who was a good human being.Moreover, in the year 2014, Chopra became the first Indian producer to move towards a true film studio model through Independent projects helmed by producers, writers and directors under the YRF banner.Chopra thus forms an integral part of the brat-pack that entered Indian Cinema in the break-out of the late 1990s along with Sanjay Leela Bhansali, Karan Johar, Ashutosh Gowarikar and Farhan Akhtar., As of November 2014, Chopra has directed the longest running theatrical film of World Cinema, produced the highest grossing film of Indian Cinema, and has theatrically distributed the second highest grossing film of Indian cinema.
For Rani, nothing could have been more beautiful than that.